![]() ![]() Strip offers her illicit sleeping pills, which he overheard her pharmacist denying her. She occupies her luxurious California beach house all alone as she quietly tries in vain to get her life back on track. Strip is a lonely puppy-dog of a guy who, for the first twenty minutes of the film, pesters the faint acquaintance Trisha to justifiably restraining-order levels. Eventually, they fall in love, though, quite authentically, it’s never an easy relationship. But it’s also purely a character drama, the story of two disparate people connecting. The story is a simple one- undeniably decompressed, even at times too simple. Even with two of the biggest stars in pop culture playing kissy face on screen, filmgoers and critics ultimately could not abide this sort of thing. The “women’s picture”, a popular genre unto itself through the 1940s, had long since gone dormant in the increasingly male-driven U.S. Moment by Moment was the next one, seemingly ready-made and served piping hot, particularly for a 35+ female demographic. Her crossover to the big screen was spurred on by Robert Altman, who, following a part in his classic ensemble Nashville (1975), produced her first film as a lead, Robert Benton’s The Late Show (1977). ![]() Tomlin is actually the top-billed star of this distinct two-hander, already long established as a wildly successful comedian. In the film, Travolta plays a drifting beach bum called “Strip” Harrison (who lives up to his first name a couple of times as he doffs his clothes down to a speedo) who falls deeply in love with wealthy divorcée Trisha Rawlings, played by the older Lily Tomlin. Perhaps more to the point, the nature of the Moment by Moment’s romance was too much. Despite not being a shambles at the box office, the notion of a non-dancing Travolta was apparently simply too much for audiences to accept. Rolled out by Universal Studios as its major release of the 1978 holiday season, the film quickly acquired a reputation as one of the worst movies ever made. Then came the third and final film of the contract, the romantic drama Moment by Moment. Two of those films were the zeitgeist-rocking musicals Saturday Night Fever (1977) and Grease (summer, 1978), which quickly elevated Travolta to the level of super-famous superstar. Moment by moment tv#In the late 1970s, super-producer Robert Stigwood signed rising TV star John Travolta to a three-picture deal. ![]()
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